Excerpt two: On Motion. From Slobodan Trajković’s book Embodiment*. Trajković is artist and scholar, who had began his career in the late 1970s and has an extensive practice to this day. He exhibits internationally, and works and lives in London and Belgrade. Dancing dog – 2, video stills. 2010. We noticedRead on!
Introducing Slobodan Trajković, artist and scholar, who had began his career in the late 1970s and has an extensive practice to this day. He exhibits internationally, and works and lives in London and Belgrade. Here we offer some excerpts from his book Embodiment*, and will feature three chapters from his bookRead on!
As Ephemereye is dedicated to moving image, we rarely branch off into talking about shows that are not. The upcoming exhibition of Baltica! group’s Memory and Landscape at the Old Biscuit Factory opens on 23 January 2020 in London, and will stay on until the 28th. It will include aRead on!
A brief story of the show. [SHOW TICKETS] A tribute to art and technology, early film, and contemporary video art, Moving Silently is a festival of ideas. How does technology assist in giving birth to new art forms? What is the connection between historical and contemporary moving images? Can videoRead on!
Persian Heritage for the World is a title that implies movement, the underlying and intertwining motion of a culture spreading outwards. Almost as a metaphor for this, the medium selected for the art show celebrating the fifth anniversary of the Cambridge Shahnameh Centre for Persian Studies* is the moving image.Read on!
In anticipation of the upcoming exhibition curated by Ephemereye in collaboration with the Pembroke Centre for Persian Studies we had briefly interviewed one of the participating artists Maryam Farahzadi. The Cambridge Shahnameh Centre for Persian Studies will be celebrating its 5th Anniversary in 2019. As a part of Shahnameh Forever Series,Read on!
A tribute to art and technology, early film, and contemporary video art, Moving Silently is a festival of ideas. How does technology assist in giving birth to new art forms? What is the connection between historical and contemporary moving images? Can video cameras, being as widely accessible as crayons, be the mostRead on!
Manifesto of Presentism, art action. Piazza di San Marco. 9 May, 2019. One of the events of the 2019 Venice Biennale went largely unnoticed. Apart from a few hundred city visitors that happened to find themselves at the Piazza di San Marco on the late morning of May 9, andRead on!
Our show Moving Silently that premiered at The Essanay Silent Film Museum in Fremont, CA is being transferred to The Empress theatre in Vallejo, where it will take part in the First Vallejo Silent Film Festival in July of 2019. More updates are coming soon. Participation Artists: Adrian Regnier Chavez, Eija Temisevä, Ilaria Pezone, Lorenzo Papanti, Lydia Gyurina, Pierre Ajavon, JoanneRead on!
According to Sophie Atkinson writing for Highsnobiety.com “Video art is often considered impenetrably abstract and far beyond the comprehension of everyday art-lovers,” but is it really? And who are these proverbial art lovers? Is their world is changing or staying still? Is video art any more abstract than some other works ofRead on!