Moving Silently at Victoria Theatre in San Francisco November 10th, 2019

A brief story of the show. [SHOW TICKETS] A tribute to art and technology, early film, and contemporary video art, Moving Silently is a festival of ideas. How does technology assist in giving birth to new art forms? What is the connection between historical and contemporary moving images? Can video

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Art and Technology

According to Sophie Atkinson writing for Highsnobiety.com “Video art is often considered impenetrably abstract and far beyond the comprehension of everyday art-lovers,” but is it really? And who are these proverbial art lovers? Is their world is changing or staying still? Is video art any more abstract than some other works of

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Empire II in Oaxaca, Mexico.

Taking part in the EMPIRE II multi-artist video project curated by Vanya Balogh was a two year journey through work, cities, and unexpected encounters. The exhibition stopped for the last showing at MACO, a Contemporary Art Museum in Oaxaca, Mexico. Oaxaca landing © Photo © Veronica Shimanovskaya I arrived just

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Call for Artists: Persian Heritage for the World.

Moving Image FREE ENTRY In collaboration with The Cambridge Shahnameh Centre for Persian Studies, Ephemereye announces an Open Call for Artists. The Cambridge Shahnameh Centre for Persian Studies will be celebrating its 5th Anniversary in 2019. As a part of Shahnameh Forever Series, the Centre will be hosting an art

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2019: E-Motion Running High

With boundaries between genres dissolving, the new artforms appear continuously. Paintings that look like sculpture… Untitled. Anish Kapoor. 2017 ©Lisson Gallery performances that look like installations… Yingmei Duan. Happy Yingmei. 2012 urban art that looks like printmaking… Dronestagram. James Bridle. 2014. videos that looks like paintings… Painting Europe. Sweatshoppe. 2017 or installations that are a

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Yingmei Duan and Morphology of Performance*

“…the play’s the thing Wherein I’ll catch the conscience…” – William Shakespeare. Hamlet. Act 2 scene 2 Since the first decade of the twentieth century and further on, in the sixties and seventies, performance art has emerged as a medium of the artistic dissent, non-conformity and experimentation. It seems that

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The world is moving, and so are we.

To everybody who kindly supported us in this production, to the cast and crew, visible and invisible, thank you! Thank you, in no particular order, Achraf H Jendane, Arseny Kleymyonov, Elena Tsukman, Fyodor Druzin, Twan da Silva, India Roper-Evans, Jérôme Kepler Fidelin, Kate Nann, Madeleine Gaastra van de Ven, Maria Kozlova,

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Year End

Create. Share. Repeat. ©Ephemereye We hope your year was good! We know your year was good! We know it because we all learned a few new things, or many new things, and living through new things is good. Even if they are bad. It is like making art – you

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Adrián Regnier

“I link art and science to the development of alternative research and production experimental strategies. I have experience […] in the conceptualization of integral research systems for the articulation of the work as a model for the analysis of reality.” – Adrián Regnier Chávez U. ©Adrian Regnier, digital video, 2017-18 Subject ‘U.’

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‘Moving Silently’, November 16th 2018.

Finally, the time has come to announce the date of the show that has been in the works for a while. Moving silently show will be open at 7 PM PST at the Niles Essanay Silent Film Museum – 37417 Niles Blvd, Fremont, CA 94536. Paying tribute to art and

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